Last month Philadelphia Film Society Members were able to attend a special advanced preview screening of Drive, the newest film from acclaimed Scandinavian director, Nicolas Winding Refn.
Self-referentiality is the soul of the "Scream" series, but its fourth installment carries so much franchise baggage that director Wes Craven never really gets around to making a new movie. "Scream" and its sequels skewered then-modern genre tropes—a decade later the mind reels to imagine how the modern horror landscape might lend itself to parody. From the proliferation of "torture porn" to the endless deluge of remakes, one would think the 21st century meant easy pickins for satirists. But if "Scream 4" is any indication, the barbs are only as sharp as their inspiration.
